Movie Review: Veere Di Wedding

I almost didn’t watch this movie. Kareena Kapoor, Sonam Kapoor aren’t quite the draw for me personally. Add to it, the reviews had been less than stellar and I didn’t want to watch a badly made chick-flick when I could use those 2 hours to sleep or read instead…color me pleasantly surprised!

Now this movie isn’t a must-watch or even a repeat-watch but for a one-time watch with a buncha gals or even guys who get the Punju colloquialisms, it’s worth the money. The rest of the movie is about relationships. Between friends who become family. Between parent and child and definitely between a woman today and the world around her.- Bottom line? It’s entertaining and that’s what’s to be remembered about movies. Thought-provoking or not-they serve to entertain.

Is this movie hatke? Well…it is woman-centric for one. Guys are a part of their lives the same way they happen to be in real-life rather than a larger-than life reel-life man with bulging muscles who romances onscreen for a 3-minute song spanning from Switzerland to Botswana with 5 attire changes which often includes a sari pallu longer than Princess Diana’s wedding train. Phew! Head-spinning global lau (Gujju-ishtlye love).

This is a story about women who are believable; especially in this day and age. There are plenty of them out there who run from marriage, structure, socially sanctioned relationships and having to do Mata ki chowki at the drop of a pin! And Bollywood being Bollywood, would have them all be from the upper crest as well so impromptu trips abroad are also viable.

I was watching this movie with a Dally-based (aka New Delhi) friend (she’s a veere too I guess if one goes by the definition in this movie) and she, amidst gales of laughter, assured me the depiction of Wast (West) Dally (Delhi) was a very apt caricature.

And let’s not even get to the bling…if there’s no bling, there’s no big fat Indian wedding at all. All families have their skeletons and dirty secrets, every couple has stuff that rips at their seams, every girl is prevailed upon at some point in her life to “get-married already” by her mother. Same as the characters in VDW.

I’d read somewhere that the F-bombs in the movie seemed contrived or excessive. I guess it’s a matter of perspective. My gal pal reminded me how “unpolished” my own speech was before the advent of motherhood. It contained allusions to human anatomy and mothers and sisters quite a bit. Something I engage in now primarily while driving.

I think people should watch this movie. It’s fun. It has a lively pace. It’s not excessively dramatic or melodramatic and I made a fun memory watching it with someone with whom I have a 17-year-old history. That’s what makes this movie relevant. It won’t win Oscars. But it wasn’t meant to.

I left the theater dancing and laughing. Paisa vasool.

 

Movie Review: Sonu Ke Titu Ki Sweety

Image result for sonu ke titu ki sweety

First question? Why did I watch it and 2) Why am I bothering to review it either?

Answers: 1) My kid’s school still hasn’t opened so am just gasping for things that distract me and we’re both (mother and son) tripping on Bom Diggy Diggy  song from the movie so why not? 2) I just wanted to see the misogyny that’s been touted so much in this movie.

If someone wants mindless entertainment where you laugh, wince and tap your feet to peppy songs and the Punju dialogues that seems to be a staple of any Bollywood movie; this movie isn’t a bad choice. With the emphasis on the word ‘mindless’. However, the ‘bros before hoes’ notion is played to the hilt here which can and probably does annoy most women. But keep in mind women do behave in the manner shown…controlling…taking over her bf’s life out of the goodness of her heart and for his overall improvement.

Get it tight with a girl and she’ll have your family history out of you because she wants to interface. A guy? Not so much. He’ll want to make-out, have fun and keep it light. And this movie does the same but the conclusion could have been handled better with all parties coming to an agreeing-to disagree funda. Most movies of the Housefull and Golmaal ilk are mysogynistic in their portrayal of women-props, quasi or totally slutty and barely able to keep the clothes on their bodies and perpetually getting into sinuous movements to entice the musclebound moron of a guy or the deadbeat kinds aka Tusshar Kapoor and Riteish Deshmukh et al.

But all lecture aside, let’s move onto the movie which is about Titu (Sunny Singh) who’s a nice guy but makes the same mistakes with the opposite sex all the time and gets his heart broken. Enter his BFF Sonu (Karthik Aaryan) who steps in to clean up the damage and often preemptively tries to brings things to a closure with the kind of girls he thinks are going to be problematic. Their bond is tight but then enters Sweety (Nushrat Bharucha) – who becomes Titu’s fiance and has the social sanction to make changes and integrate herself deeper and deeper into Titu’s life and loosening Sonu’s hold on his friend. Neither wants to back down and at the grand finale, ultimatums are given and one is followed. Alok Nath as a non-sanskari grandfather is refreshing-ish.

Sweety isn’t shown as a harpy but from Sonu’s point of view she’s making changes which aren’t needed and more importantly, his space is diminishing in his friend’s life and the cause falls squarely on the girl. It’s a major power struggle and shows people as selfish, grasping, needy, insecure and afraid of change. It’s misogynistic if one really wants to see it only as that and nothing else. But how many Bollywood mainstream movies showcase its female talent to its proper extent anyhow? Maybe 1 in 10 if that?

Watch this movie without judgement especially if you’re the kind of person who has also watched Race 3 and sat through the Welcome-2 without flinching! It’s entertainment pure and simple. No one said anything about it having to be classy as well.